Showing posts with label portrait photographer. Show all posts
Showing posts with label portrait photographer. Show all posts

Sep 1, 2010

Up-close and Personal with Frank Selmo

Photography by Frank Selmo http://www.yourphotographypro.com//

1) If you could name one defining moment that really sparked your photography fire, what would that be?

[image by Frank Selmo]
"At the age of 10, my father handed me a camera so that I could take some photographs on a school excursion. I wish I could remember the model of the camera, all I remember is that it was a Leica. My father handed me the camera the night before the excursion and asked me to look after it...and I did! For some reason I was in love with this piece of equipment....I also loved the old leather cover it came in too.

On the school bus I was obsessed with my camera....taking photos and learning how to use it....so much so that my friends were annoyed with me. The excursion was to an animal park and I still remember some of the photographs I took and how proud I was of them. Unfortunately I don't know where they are now...in a box in my Mother's basement probably.One photograph was of an eagle cracking open an egg with it's beak. I have to get back to wildlife photography some day".

2) Did you study to become a photographer? If so, where and how long was the program?

"I have been studying all my life to become a photographer....yes I have completed a formal diploma in photography however this is only one piece to the puzzle.

As a child I remember watching people. My parents would ask me to not stare, but I was simply observing human behaviour....at this point in my life I did not know that I would eventually become a photographer and that this observation skill I had refined would come in handy. I believe a good photographer is someone that has the ability to see beyond what the average person sees. A good photographer will anticipate a moment and has the ability to technically capture it. Having taught photography in the TAFE system in Australia, I have come to realize that not everyone has this skill....to see all the detail in a scene, to read people and their personality and not just see it as a subject matter. Every scene has a story.... portrait, landscape, architecture and even still life....there's a story in each of these. What I have been learning to do is to tell that story through one image.

I have also trained as a videographer having completed several film making courses....yes I aspired to be a blockbuster movie producer/director, haven't we all.....no? The courses I completed were with independent film makers that were teaching in order to raise funds to continue their own film making careers.

On top of all that I have trained in graphic design and art. Most of this was on the job with artists, graphic artists and creative mural painters and signwriters....I learned a lot about layout, composition, color etc.

I think the most important thing I've learned, is how to relate to people. 90% of my work is capturing portraits, and that means I must like people and if not then I should!....know how to relax them, entertain them and have fun with them. This is the key to good portrait photography...and this is a skill that you work on all your life....learning to relate and communicate in a way that will give you the greatest results in your photographs. I have developed this skill through social interaction, teaching photography and delivering other motivational courses, but mostly on the job photographing people at weddings. Spend time with children and they will teach you many things that cannot be learned in a classroom".

3) Did anyone, in particular, influence you to become a photographer or influence your work as one?

[image by Frank Selmo]
"I am consistently following other photographers and their careers. I think all photographers can learn from those who have gone before them. Why not learn from their experience? I have recently been impressed with the work of Susan Strippling".

4) In your opinion, what makes a great photograph?

[image by Frank Selmo]
"A great photograph is an image that holds your attention. There are millions if not billions of photographs taken everyday, and the one that tells a story will be the one that makes an impact".

5) Do you have a favorite photograph of all time? (either one of yours or another),,, if so, which one and why?

"I love world war 2 photographs the most. The images from that period capture the essence of the turmoil, hardship, suffering and triumphs. The black and white textures cannot be reproduced even with the most sophisticated technology today. Authentic brilliance in my opinion... Just try it, google images...world war 2".

6) What do you feel are the pros and cons of being a photographer?

[image by Frank Selmo]
"Pros... I love cameras, people, taking photos and editing.
Cons...Photographers work harder and longer hours than people would imagine....oh and the occasional bridezilla!"

7) If you had to classify yourself as a specific kind of photographer, what would that be and why?

"Portrait Photography...specializing in weddings".
Read more >>

Work Flow and Processing

by Amy Leavitt

I always love to hear about how other photographers process their images. I enjoy hearing different ways of doing things - so I thought I'd share my workflow from beginning to end.

**a few notes** I use Photoshop CS4, Adobe Camera Raw, and Adobe Bridge, and I shoot in RAW.

Cull the images. I use Bridge to sort through the whole gallery. Anything I love gets 1 star. I go through it several times to weed out those "just ok" and find the best images from each pose.

I then go through the starred images using Bridge, and color correct in ACR if necessary. The images are then processed using Image Processor in Bridge. It converts the images to JPG and also applies my skin softening action (which uses the Portraiture plug-in). They are then placed in a separate folder within the main gallery folder.  I then edit the images in batches of 6 -10.  Then I crop them to a 5x7 ratio. I try to edit all the images from one sitting or pose for continuity. With three kids, I rarely have time to edit a whole gallery in one sitting, so once a batch of photos are edited, those photos get 3 stars so I know they're done. Here's how I process 90% of my images:

1. I fix any skin issues such as acne, or under eye circles. The best way I have found to fix under eye circles is to use the patch tool, select the dark circle and drag it to a patch of clear skin. Then go to Edit--> Fade Patch Selection, and slide it to around 50-60%. You do NOT want to completely remove the circle because it will look weird. Just soften it a little.

2. Channel Mixer. I LOVE how channel mixer evens out skin tones and seems to fix minor color issues. Image -->Adjustments-->Channel Mixer. Click on the "monochrome" checkbox and set the blending mode to screen, reduce opacity to about 35%. You can play with the adjustment sliders, but I usually go with somewhere around +35 for red, +70 for green and +5 for blue.

3. Soft light layer. Duplicate the background layer by selecting the background layer and hitting Ctrl J (PC) or Command J (Mac). Set the blending mode to soft light and reduce opacity to around 30%.

4. Solid color fill: This seems weird but I love the subtle effect. The blue set at a low opacity gives the photo a subtle haze that I love. At the bottom of the layers panel is a little circle that's half black/half white. Click on it and choose "solid color" at the very top. Pick a muted dark blue. Just trust me on this :) Change the blending mode to "exclusion" and set the opacity to around 20-25%. Exclusion mode basically lowers the contrast slightly and provides a smoothness to the image.

5. Another solid color fill. This one is for warmth in the image. Choose a warm gold color, set the blending mode to "overlay" and reduce opacity to around 20%.


6. High Pass Sharpen. Duplicate the background layer, and choose Filter-->Other-->High Pass. Set the slider so that you just begin to see the edges of the image. I usually set it around 5 or so. Set the blending mode to Overlay and reduce opacity to around 50%.

7. Optional: Select all of the adjustment layers and go to Layers-- >Group Layers. This gives you the control to reduce the opacity of the whole set of steps at once. Some examples of these techniques in action:

Seem like too many steps to do for each image?? No worries! It's easy to create an action that does everything and all you need to do is adjust the sliders of each step to customize each image. That's what I did! The entire effect of my workflow gives my images creamy, smooth skin tones, almost vintage detail of clothing (check out what it does to jeans!), dreamy, hazy backgrounds and an overall pleasing warmth. If I want a hazier feel, I'll lower the opacity of the Soft Light layer and the High Pass layer. If I want stronger contrast, increase those layers. Give it a try! Leave a comment below if you'd like the action and I'll make it available to download on my blog :). Happy editing!
Read more >>