Showing posts with label black and white. Show all posts
Showing posts with label black and white. Show all posts

Jun 3, 2010

Advanced Flash

Advanced Lighting Class by Michael Willems

"One of North America’s most experienced photography teachers, pro photographer and flash guru Michael Willems is coming to Las Vegas on July 12 and 13, 2010 to get you up-to-date, with this new workshop aimed specifically at established and emerging pros who want a 'flash' refresher." For more information click here. "I took Michael's Advanced Lighting class in Phoenix last year and it was great!" ~Yasmin Tajik
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May 28, 2010

Wedding Photographer's Checklist

Seven Must-Have's by Cindy Larkin
[photography by Jennie Slade]


1. Have a portfolio:
You will want to show your work from an entire wedding. This will show the bride and groom that you are capable of doing a great job throughout the whole wedding, not just taking a few lucky shots. It's preferable to have an album or a set of proofs from a recent wedding that you have done. This will assure them that this is not your first wedding and that your style fits theirs. They will be looking for examples that they would like to see in their own wedding images, such as black and white, photo-journalism, family groups and special post-processing actions.

Hint: If you are new to wedding photography, you'll need to start somewhere, right? Ask a friend or family member to let them use you at their wedding as a second photographer, or offer to do their wedding for free, so you can get the experience and portfolio you need. Free photo gigs are a great way to increase your porfolio in any area of photography you choose.

2. Be professional and Courteous:
Little things make a big difference. Always treat them well on the phone, and get back to them within a reasonable amount of time, if they have left you a message. Remember, they may chose you as their photographer not only because they like your work, but because they like you. Keep in mind that if they are happy with your service, they will most likely give your name as a referral to their friends and family members in the future.

3. Have Your Prices And Services Clear:
Let them know ahead of time what type of services you offer, such as how many hours of your time are included in the price, and what your overtime rate is. Let them know how many images they will get back, and if your price includes black and white, as well as color. Let them know if the price includes an engagement sitting and, if not, how much the engagement sitting costs. One of the things they will want to know is what the package price does and does not include. The more information they can get from you before hand, the better.

4. Be Punctual:
Make sure that you are on time for all appointments and well organized, especially the day of the wedding. Being a few minutes early will help ease your mind while you get everything in order. This will not only release some of your tension, but the family's as well. Imagine how you would feel on your wedding day if the photographer did not shown up on time.

5. Have Back Up Equipment:
Always have a back up camera and extra batteries. Accidents do happen and no photographer wants to be stuck on a special day, such as a wedding, without proper equipment.

6. Dress Appropriately:
You will want to choose an outfit that will blend in with the crowd, but keep in step with this formal occassion. I have found that choosing a classic black pantsuit or shirt and slacks, is appropriate in almost any setting. Also, wear comfortable shoes, as you will be moving around alot.

7. Be Prompt with the Proofs:
The Bride and Groom will want to get their wedding proofs or images back within a reasonable amount of time. Two to four weeks after the wedding is a good rule. I generally tell my clients four weeks which gives me enough time to edit them, but I also like to send a "Sneak Peek" via email within a few days, to let them see a couple of my favorite shots. This does 2 very important things. It helps appease them while they are waiting for the remaining pictures, and it also helps ease their mind about how the pictures turned out. I have also found that the sneak peek gets them very excited to see more!
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Capture Their Dream Wedding

It's All In The Details by Cindy Larkin

[photo's by Jennie Slade]

Photography is one of the most important parts of the Bride and Grooms "Big Day". Your photographs are the treasure they will take with them, and cherish for many years to come. It's very important to ask sincere questions before you shoot to find out what makes them unique so you can capture their true personality through your lense. Find out if they are dramatic or laid back. Do they like bold statements or quiet moments? Do they want staged pictures, or photo-journalism style shots, or a combination of the two. Here is a mini checklist to add to your repertoire that can help you showcase the details of their big day:
[photo's by Jennie Slade]

1. Bride putting on her veil, earrings, or shoes.

2. Bride applying makeup or having her hair done

3. Close-ups of hair from the back and side

4. Close-ups and details of Bride's dress/ Groom's tux/ their shoes/ and rings

5. Close-ups of the Bride's bouquet and Groom's tie/boutineer

6. Special interactions between Bride and Groom and loved ones

7. Detail of cake and centerpieces

8. Close-up of bride and groom’s faces during first kiss/dance

9. Bride throwing bouquet

10. Couple leaving in limo/get-away car

[photo's by Jennie Slade]
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May 13, 2010

Family Portraits

A Few Hints by Cindergirl Photography

1. Before picture day, help guide the family into coordinating their wardrobe by suggesting they pick two or three colors that coordinate, avoiding prints and logo's. It will be up to them to choose their attire but a casual reminder from you will help them stick to a color scheme and will enhance the over all set.
image by Amy Leavitt

2. Schedule the session when the children are at their happiest--usually after they've eaten and after nap time.

3. Schedule your shoot when the lighting is best. Lighting is very important for a great shoot, so let the family know that they may need to be flexible. In the middle of the day when the sun is high in the sky is not ideal, so generally we prefer to shoot outdoor photos either in the morning or just before dusk. The family may have to let go of routines/schedules just for the day to accommodate.

4. Family picture day can be stressful for everyone, but especially for Mom and Dad. Mom usually dreams of everyone and everything being perfect. But let's face it, no family is perfect, and so Mom can become frazzled even before the shoot begins. Dad on the other hand is usually less worried about the actual pictures but is so frustrated by all the fussing, that by the time he arrives at the shoot he's quite cranky and can't wait to just get it over with. Sound familiar??

I have found that addressing the stress at the beginning of the shoot, or making a light joke about it, can ease the tension quite a bit. If you make a point to lighten the mood, they will generally follow your lead. I usually start the shoot with a few candid or casual shots to loosen them up and get them into the mode of being photographed.

5. Even though they are family, sometimes you have to remind them to get close to each other. Having everyone in tight or touching one another can truly make a difference in the feel of the picture. When families are close to each other, touching an arm or tilting their head slightly toward each other, this projects a warmth and visually shows that they belong together. Try having them stand at an angle with shoulders overlapping. If Grandma and Grandpa are there, make sure you make space for them in a prominent spot.

6. As a general rule it's best to shoot the large family group first, especially if there are small children, due to attention spans. Next photograph the children as a group, and then individually (if individual shots are desired). Then photograph the teenageres, and last, the adults.

7. Check your shots for blinking, making sure that everyone looks awake and alert. You don't want anyone in a shot to look asleep or like they're on pain meds. One thing that can help is to have them all close their eyes, then count to three, then have them open their eyes at the same time. If everyone's eyes are refreshed, you should have a few seconds before anyone will have the need to blink again.

8. When counting up to a shot, I sometimes like to take the picture on "2" instead of "3". This helps eliminate forced smiles and helps the posing look a little more natural. Sometimes I count up to three and pretend like I've gotten stuck. {Example: "1-2-3...3...3..."} This usually makes them smile genuinely, avoiding a false look.

9. When I am done taking all the shots I want, I like to ask the parents or kids if they have any ideas in mind. I have gotten some really fun shots when they were being silly coming up with their very own poses.

 
 


10. Never underestimate the picture after the picture. I have found that once the last picture has been taken in a set, they loosen up and give you their "real" smile and you can capture a genuinely candid photo that is sure to please, if you're not in too big of a hurry to get to your next pose.

**Please feel free to share ideas that have worked for you!
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