Showing posts with label feature. Show all posts
Showing posts with label feature. Show all posts

Oct 1, 2012

Arthur Chang | Session Share

Who: Tran and Adam - both dentists who met in school. They live in Walnut Creek, CA, and really like the outdoors and beaches.
 
What: Wedding preparations.

Where:  Laguna Beach, CA.

 
 
Photographer:  [http://photography.artchang.com/] Arthur was born in South Carolina and raised in the San Francisco Bay Area. His passion for photography took form in 2004 in the beauty around Santa Barbara California, where he graduated from UC Santa Barbara with a B.S. in Computer Science. When he wasn't coding, he was taking photos.​  His photography since 2004 has been very photo journalistic and he approaches any type of photography with the focus on telling a story.​  He has organized many "photo walks" (at least one a week), and started a group based around Flickr called the San Francisco Bay Area Shooters (SFBAS). Soon he branched out into the photography communities of Google+, 500px, and Instagram.  Chang says "Photography for me will be forever a learning experience, and I'm always looking for new challenges and stories to tell".  
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Apr 1, 2012

April 2012 Cover

Cover Image by Rex Winterton
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Mar 2, 2012

March 2012 Cover

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Q&A with Cover Photographer Meg Bitton

(Note from Amy) Cindy & I hand pick our cover photographers. When I came across Meg's work, I was stunned. Her emotional, dramatic and pure work captures the sheer humanness of her subjects. It's a pleasure to view her images, and I find myself returning again and again to certain photographs.

Q&A with Meg Bitton



How did you get into photography?

Back in high school a looooooong time ago, my dad bought me a film camera, and its been deep in my soul ever since.



Are there any photographers who inspired or influenced your work?

There are a lot of artists out there, be it photographers, musicians, interior designers, fashion designers, sculptors, painters that influence my work.



What is your photography philosophy?

Shoot what you love and the way you see life through the lens. Make no excuses and never apologize for your vision.


What is your photoshop philosophy?

Learn it, all of it. Understand the whole program.



What equipment do you use - and please describe your work process:

I am a Nikon user.


 

Your images have a hazy, dreamy feel with a tinge of something I can't quite describe; sadness? humanness? Please describe how you go about capturing this in camera and enhancing it in photoshop.

I go about capturing it in my heart and my soul. I click when I see and feel the moment. When I process, I close my eyes and remember the moment, how it really was and then I think about how to enhance that moment with color. Then, I start….


How do you pose and interact with your subjects?

I stay very far away from my subjects. I speak softly, sometimes not at all. I wait. Sometimes a long time.
 


You have developed a unique look to all your images. How would you advise someone just starting out who would like to find that special something in their own work?

No two people see life the same way. Put out into the world your vision and your passion. Dig deep inside of you and find it. It's there.


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Feb 1, 2012

February Cover 2012

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Jan 31, 2012

The Photographer behind The Bobby Wheat Gallery

Growing up on the plains of Oklahoma, Bobby always had a fascination with the grandiose scenes of the western United States. Road trips with his dad from early childhood into his college years solidified his desire to continue exploring the natural beauty throughout the world. "I was always so enamored with the big scenes out west that even from a young age, I had what seemed like an innate desire to take a sense of ownership in those places. Taking a photograph was the best way for me to do that". 
"Epiphany"

Soon after marrying his wife Haley, they packed up and moved to the rugged mountain town of Jackson, Wyoming, where he continued to fine tune his craft while working as an electrician and later an elementary teacher.

"Out of the Ashes"

Unsatisfied with the print quality from digital cameras, Bobby soon resorted to building his stunning body of work using old-school techniques.  After 4 years enduring cold winters up north, Bobby and his family moved to the heart of the desert southwest, Las Vegas, where he taught elementary for 3 years before opening his debut gallery at Tivoli Village.
"Streets of Venice"

The Bobby Wheat Gallery features the exquisite fine art photography of the young and ambitious Las Vegas local.  From the deserts of the American southwest to the streets of Venice, Italy, Bobby captures his body of work using vintage large -format film cameras yielding a portfolio with unparalleled detail, integrity, scarcity, and archival permanence.  His unique purist approach cultivates within him an organic grasp on fine art photography that is extremely rare amongst contemporary photographers, elevating his natural expertise and ability to convey the wonder of the world around us.  Awarded 8 times internationally before the age of 30, Bobby's work is being recognized along side that of his contemporaries 20+ years his senior by the world's top art critics.
"Infinite Solace"

Bobby continues to seek out the hidden beauty of the world yielding an alluring body of work that is guaranteed to keep viewers excited as he explores new terrain and exotic locations in upcoming shoots.  Collectors can look forward to Wheat’s bright future as he continues the tour de force that is his exploration of our landscape and the manner in which we experience it.  "Inspiration is Everywhere"™ Bobby Wheat.
"Sounds of October"

To stay in tune with new releases, gallery events, photography tips, shot locations, etc. please find Bobby on Twitter:  @bwheatgallery, his facebook page: Bobby Wheat Photography, his website http://bobbywheat.com, and his gallery in Tivoli Village.
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Oct 1, 2011

Sep 30, 2011

Humbled In Haiti

by Todd Ellis

A while back my girlfriend Amie challenged me to “get out of my comfort zone.” I am a person who likes to operate with the same routine every day. Maybe Amie saw something in me that needed being jolted. Her suggestion on how to step out of my comfortable realm was far from anything I had ever thought about doing. 

I am Todd Ellis. During the day, I help execute the day to day logistics of a trucking company based out of St. George, Utah. After that, I am a professional freelance photographer. Photography is my passion and is one of the most fulfilling activities in my life.

Normally I photograph athletic events, people, and nature. Southern Utah provides me with a multitude of sources for my photographing desire. Between the beautiful southwestern landscapes, and the quality people who reside here, there is a treasure trove of subjects for my camera to capture.

Amie invited me to go to Haiti with her and her family as a volunteer for their foundation (FFCIN).  Besides learning more about my girlfriend and witnessing her in humanitarian mode, I would gain the humbling experience of seeing third world condition up-close. In addition, Haiti would be something far different from any subject I have photographed. This trip to Haiti would make me grow as a person, and hopefully, I would grow as a photographer. I cannot deny that I had apprehension in my heart and mind. I didn’t know much about Haiti and really did not know what to expect.

Looking out of the window of the 747 at the largest Haitian city, Port-au-Prince, as we were approaching the airport, struck me with a heightened sense of reality. Up to this point, Haiti had just been a novel thought.


I saw the slum areas; made up of the makeshift structures that so many of the over three million in populace uses for shelters. I saw trash filled waterways, right next to housing. I saw mass activity in narrow streets with rising smoke from people burning garbage.  After the plane touched down, I walked down the ramp and entered into this third world’s tragic conditions: for seven days.


The smell of trash and stagnate water, the sound of unfamiliar language, and the realization that I was a man of minority status, made me question my decision to step outside of my comfort zone.  I don’t speak a lick of the language so I didn’t understand any of what is being said at Customs. They searched all of our bags, which mostly contained supplies from donations. We made our way through, and outside the airport was a small truck waiting for us to load up our supplies for the drive to the foundation.




The truck was an old, beat up, Nissan pickup truck. It had a diesel engine, and reeked of diesel fuel. We loaded into the back of this rickety, old, truck and took off towards our destination.  Traveling around Port-au-Prince seemed crazy at first. There were no traffic rules. There were no defined lanes.  Cars, busses and trucks just made their own way in and out of each other, on the narrow disintegrated roadways. It was mass confusion. I was glad to arrive at our guest home and have a feeling of some kind of safety.


One of the main reasons for going there was to help and volunteer in the orphanages. While visiting, we notice there were many children but only a few workers to tend to their needs.  Some of the children were very sick and malnourished. Amie’s mother who runs the Foundation told us in orientation that the most important thing was to make the orphans feel loved.




If nothing else, we were to make sure that the kids were held and that their basic need for human contact was met. A particular orphanage we visited, was a small three-room house with approximately 50-60 children living there.


As we entered through the gate, I saw a young girl doing laundry in a tub. She’s was just scrubbing away. She looked about six years old, maybe seven. She looked at us with curiosity but did not stop scrubbing the clothes.  There she was, a young little girl, carrying on as if she was a mother herself.  I thought, "I can’t even get my kids to put their clothes in the laundry basket".
We took bottles of “blow bubbles”, bags of suckers, and ribbons for the girl’s hair. We also brought mirrors, so that the girls could see themselves. This was a big hit and confirmed my suspicion about girls and mirrors!




We also assessed their needs, and returned the next day with rice and beans and even some milk. We bought and took anti-bacterial supplies to treat the kids who had open sores. We found some plastic tubs on a street corner that we purchased to use for cleaning the kids.  We devised an assembly line where we washed the babies in the first tub, rinsed them in anti-bacterial solution in a second tub, and then applied medicine to their sores.





These babies and older kids were suffering with open sores.  They were mal-nourished and their poor bellies were sticking out. They don't have anybody. Seeing this and taking part in this project affected me greatly.

I met a girl named Abigail who came up to me. She could actually make out a few words in english. She pointed to my eyes and said “eyes,” and pointed to my ears and said “ears,” as if she was trying to impress me. My guess is that she was about nine years old.


Every time I went to that orphanage, where Abigail lived, she was the first kid to meet me. She would practically throw herself in my arms, hang on my shoulders, she didn't want me to let go of her when it was time to leave.  At the end of our day, the members of the volunteer group had to make a plan about the exit. On cue we'd quietly meet at the front gate and hurry out the door, and leave as quickly as possible. That was a hard thing to do, each time.


On another day, I walked down an alley behind the orphanage where there was a small building. There were flies everywhere, and an awful smell. After I walked around a corner, I saw children standing in a line that led to a narrow doorway of a building.  The children looked at me in a curious manner and then it hit me. The children were standing in a line to use a bathroom. This little closet-sized space housed a non-plumbed latrine that about 60 kids use. It’s basically an outhouse.


These poor little children are lined up and waiting for their turn to use the only latrine available to them. Seeing this line of children and discovering what they were lined up for was another glimpse into the reality of the conditions that these children live in.  I took a few shots, turned around and headed back to the front of the orphanage. As I walked back, I could not help wrestling with feelings of guilt. These few stories certainly do not fully express my experience in Haiti. The many photos I captured would demand many pages of text in order to properly describe the scenes that affected me.

As I drove home from Las Vegas, after flying into McCarran International Airport around 2 AM, I noticed the reflectors on the interstate. Those hundreds of thousands of reflectors that helped light my path home, something I had totally taken for granted before, was now something of little importance.  I remember thinking, "Do I really need reflectors for hundreds of miles to keep me on the road?"



When I saw my sons the next day, I hugged them with a tighter grip.  When I ate my next meal, I thought about that little four-year old Haitian girl who spilled her plate of rice and beans on the floor. She was so upset! I watched as she scooped up every bit of food that she could get off the filthy floor.  My experience in Haiti definitely pushed me out of my comfort zone. I would like to think that I view everything with more appreciation now.  When I take photos, I search deeper, trying to capture a more meaningful representation of the figure I am targeting my lens on.


I look forward to returning again to Haiti, to keep myself focused on the things in life that are really important and worrying less about things like reflectors in the road.

*The Foundation For Children In Need (http://www.ffcin.org/about_us.html ) was Founded (in 2001) as a 501(c)(3) charitable organization to help the children of Haiti and the Dominican Republic.
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